What goes into writing a great movie script?

Don’t direct from the page. Everyone, from the director on down, wants to be part of the process of making movies. Let them do their work.

A critical function of storytelling is wish fulfillment. This is why video games are so popular. “That protagonist is JUST LIKE ME.”

All rules are made to be broken, but you damn well better know WHY you’re breaking them.

Why do people hate Nickelback so much? What makes them different from other popular bands like Linkin Park, Green Day, etc.? Is it just because they're Canadian or what?

Leave holes. Write and unwrite. Put it in, take it out.

Actors give better feedback than writers do.

People choose what to see based on the high concept. Make sure to deliver an ending consistent with the high concept -- it is what the audience paid for.

Why does my crush always looks at me in a sad way whenever I talk with other boys, and if he catch me staring on him then he go and flirt with other girls and then check if I am looking at him?

What you leave unwritten is as important as what you write. SUBTEXT.

Write in reverse time. Major characters need to change polarity; minor characters may remain the same at the end.

Research the facts and then throw away the research.

What is chudai?

To develop a unique voice for each character, try interviewing your characters.

Audiences are smarter than you think. Something about turning down the house lights makes their IQs go up.

Get up there yourself. Be in a movie. Take some acting (not writing) classes. Learn how a trained actor approaches a text. Learn why actors take roles. They do as much if not more than the writer does.

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Learn to tell a story orally and not through writing. Try telling your story to a friend.

Only God gets it right the first time. Rewrite everything.

A scene should change valence from beginning to end. Up to down, down to up.

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Make sure to pack enough explosives into the rocket.

Use status to help drive conflict. King Lear/fool. Upstairs/downstairs.

Conflict is your power source; without it you have no drama and hence no script.

What kind of lights would you like to use for your home decor?

Outline everything. Use story beats. Keep character’s mouths taped up, until they absolutely MUST speak. Write the script and the dialogue at the last minute, after you’ve revised the hell out of the outline.

Maintain a slush pile/idea file. When you are ready to write, choose the best seeds to plant.

The DSM 5 is a wonderful character compendium.

What exactly is the boundary men should follow while looking at girls so they don't call them perverts?

Your primary job is to create situations. Modern actors will fuck up your dialogue, despite whatever your contract says.

Primary characters must change polarities. Secondary characters can change less.

Cut everything that is not a payoff, or a setup for a specific payoff. “Omit needless words.” Think about the sparseness of joke telling, or Grimm Brothers.

Why do atheists want to see God so badly?